The newly awarded Oscar statuettes have found homes on mantels and bookshelves, the gorgeous gowns and jewelry have been returned, and our favorite movie stars have all gone back to work. But don’t fret. There’ll be plenty more movies with “Slumdog Millionaire” stars, Mickey Rourke, and Anne Hathaway. Plus, even one more from Heath Ledger.
So what’s next for the winners and nominees? Here’s a Positively sneak peek:
The once obscure stars from Best Picture winner “Slumdog Millionaire” are now household names and aren’t going anywhere. Dev Patel takes over Jesse McCartney’s role in M. Night Shyamalan’s “The Last Airbender” based on the popular Nickelodeon kids’ show.
His onscreen love, Freida Pinto, wins her version of “Who Wants to be a Millionaire” by co-starring in Woody Allen’s next untitled project alongside “Milk’s” Oscar nominee Josh Brolin and Naomi Watts.
Best Director of “Slumdog Millionaire” Danny Boyle has no upcoming projects, but he did tell Variety that he’s thinking of making a movie from a girl’s perspective after all the guys’ movies he’s done. He also may return to his “28 Days Later” horror movie series.
Best Actor Winner Sean Penn just finished “The Tree of Life” alongside fellow Best Actor nominee Brad Pitt. Penn is also in talks to play Valerie Plame’s husband in the biopic about the outed CIA agent.
Best Actress Kate Winslet has not announced any upcoming projects. When we do see her again, however, leave it to the proclaimed “Actress of our Generation” to come back strong.
Best Supporting Actor winner Heath Ledger still has one more movie credit despite his death in January of 2008. His role in “The Imaginarium of Dr. Parnassus” will be completed by Jude Law, Johnny Depp and Colin Farrell who will each play his character as he passes into different worlds.
Best Supporting Actress winner Penelope Cruz will star with past Oscar winners Daniel Day-Lewis, Marion Cotillard, Nicole Kidman, Judi Dench and Sophia Loren in the musical “Nine” directed by Rob Marshall.
As for our other favorite nominees…
Best Actor nominees: Richard Jenkins will star in the adaptation of Nicolas Spark’s “Dear John” novel… Frank Langella co-stars with James Marsden and Cameron Diaz in the horror film “The Box”… Brad Pitt goes from fable to war starring in Quentin Taratino’s WWII movie “Inglorious Bastards” … Mickey Rourke’s comeback wasn’t just a fluke. He’s here to stay starring in “The Informers” with Winona Ryder and Billy Bob Thornton, which is scheduled to be released in April. He’s also currently filming “13,” and he is in talks to play a Russian bad guy in the “Iron Man” sequel.
Best Actress nominees: Anne Hathaway will play the White Queen in Tim Burton’s “Alice in Wonderland” adaptation… Angelina Jolie is preparing for her upcoming role as Catherine the Great… Melissa Leo is co-staring with Hilary Duff in “Greta” and with Sarah Michelle Gellar in “Veronika Decides to Die”… Meryl Streep will once again reunite with her “Doubt” co-star and fellow nominee Amy Adams in “Julie and Julia,” a movie about chef Julia Child and the wannabe who recreates her recipes.
Best Supporting Actor nominees: Besides that Woody Allen movie with Pinto, Josh Brolin will also star in the comic-book movie “Jonah Hex”… Before the much anticipated “Iron Man” sequel, Robert Downey Jr. stars with Jamie Foxx in this spring’s “The Soloist” and then as Sherlock Holmes this fall in Guy Ritchie’s movie about the classic detective… Phillip Seymour Hoffman’s voice stars in the animated “Mary and Max,” and you can see him – and his “crazy” hair, which is reportedly to blame for the ski cap he wore to the Oscars – in “Jack Goes Boating,” which he’s also directing…
Rourke’s not the only nominee in “13”; Michael Shannon will be appearing in it as well.
Best Supporting Actress nominees: Before Amy Adams pairs with Streep in “Julie and Julia,” she’ll play Amelia Earhart in “Night at the Museum: Battle of the Smithsonian” this May…
You can currently see Viola Davis in Tyler Perry’s “Madea Goes to Jail,” and she’ll also soon be seen in “State of Play” alongside Russell Crowe, Ben Affleck, and Rachel McAdams… Taraji P. Henson will co-star with former Oscar winner Forest Whitaker in “Hurricane Season,” a movie about the ramifications of Hurricane Katrina on a basketball team… Marisa Tomei will trade the heaviness of “The Wrestler” with the silly as-yet-untitled comedy with Jonah Hill and John C. Reilly about a single mother whose son doesn’t like the new guy she’s dating.
Best surprise: With song/dance man Hugh Jackman as host, surprise presenters, and funny gag bits, the Oscar’s was one of the most entertaining it’s been in a long time. (Ratings were even up 6 percent from last year’s telecast.)
Worst surprise: Chances are you won your office pool because just about no surprise winners threw off our ballots. “Slumdog Millionaire” cleaned up winning 8 nominations including Best Picture, Best Director, and Best Adapted Screenplay as predicted, and Kate Winslet, Heath Ledger, and Penélope Cruz won as expected. The biggest upset was Sean Penn winning Best Actor over Mickey Rourke, but really we all knew it was between the two anyway.
Worst use of presenting the Best Pictures: Up until the last ten minutes of the show, you wouldn’t even know which films were nominated for Best Picture, and isn’t this what the night was really all about? Instead of showcasing clips throughout the night like usual, the clips were only shown right before the award was handed out. Even worse, they were intermingled with previous films that have similar themes making the clips confusing and taking attention away from the nominees.
Best presentation of movies: The montages of film genres recapping the best of 2008 were done so in great pop culture fashion. Coldplay’s “Lovers in Japan” played to the great romance flicks, Wall-E the adorable robot found a tape of the best animation movies, and the hilarious James Franco and Seth Rogen reprised their “Pineapple Express” roles as they watched DVDs of the funniest comedies.
Worst use of presenting the Best Songs: The song nominees, which are usually played in their entirety throughout the night, also weren’t given their full due. The two “Slumdog Millionaire” songs and “Wall-E” song were shortened and played one after the other. We all knew “Jai Ho” was going to win, but “Wall-E” should have been given it’s own set piece rather than making John Legend sing with “Slumdog’s” Indian back-up dancers and drummers.
Best use of presenting awards: Rather than randomly presenting awards, the telecast walked the audience through the making of a movie starting with the screenwriting process to art direction to editing. Stars associated with the category was also a nice touch like action hero Will Smith presenting Best Visual Effects and Sound Mixing and “Religious” filmmaker Bill Maher presenting Best Documentary.
Best presenters: Steve Martin and Tina Fey presented the screenplay awards humorously (“Don’t fall in love with me” Martin stoically told a googly eyed Fey) and controversially (poking fun at Hollywood-favorite Scientology). And don’t forget about Ben Stiller who delivered a dead-on impression of Joaquin Phoenix’s bizarre appearance on the “Late Show with David Letterman” while presenting with Natalie Portman. It would have been even funnier though if it wasn’t just parodied at the previous night’s Independent Spirit Awards.
Best use of presenters: Keeping most of the identities of the presenters top-secret beforehand made for a more exciting show because you never knew who was going to come out next. Hello Will Smith, hello Reese Witherspoon!
Worst use of presenters: While it was fun seeing past winners like Nicole Kidman, Robert De Niro, and Christopher Walken, presenting the nominees, it came off too self-congratulatory. Instead of comments like “You really nailed it” and Marion Cotillard clasping her hands together cooing “Thank you” to Winslet, let’s see some clips instead. Most viewers at home haven’t seen all the movies, so it’d be more interesting to see the performances for which they’re nominated.
Best acceptance speech: Instead of the director or co-stars accepting on his behalf, the acceptance of Heath Ledger’s Oscar by his family was much more touching. “Tonight we are choosing to be happy and celebrate what he has achieved,” his mother, Sally Bell, said.
Funniest acceptance speeches: Where to begin? First there’s Phillipe Petit, the subject of the documentary, “Man on Wire,” who not only balanced the Oscar on his chin, he also made a coin disappear. Then the Japanese director of the Best Animated Short, “Kunio Kato thanked Mr. Roboto.” Finally, Best Director, Danny Boyle, bounced up and down in homage of Tigger for his children.
Worst camera shots: Awkward alert… Not only did Jennifer Aniston have to present an award mere feet away from Brad Pitt and Angelina Jolie, the camera cut away to Brangelina twice! At least Jolie and Pitt made nice and weren’t giving dirty looks.
Best use of teeny boppers: While baby faced stars like Zac Efron, Vanessa Hudgens, Robert Pattinson, and Amanda Seyfried presented and performed on stage to most likely draw in the younger audience, their presence was downplayed and didn’t make the Oscars feel like the Teen Choice Awards.
Best secret talent: Anne Hathaway showed off her really good voice in her pretend-impromptu song and dance number with Jackman. Look out Beyoncé. Maybe you won’t be needed next year.
Here are the winners of the major categories:
Best Picture: “Slumdog Millionaire”
Best Actor: Sean Penn, “Milk”
Best Actress: Kate Winslet, “The Reader”
Best Supporting Actor: Heath Ledger, “The Dark Knight”
Best Supporting Actress: Penélope Cruz, “Vicky Cristina Barcelona”
Best Director: Danny Boyle, “Slumdog Millionaire”
Can’t get enough of celebrities? Are you a pet-lover? Then you’ll love peoplepets.com as much as Mickey Rourke loves his dogs. Go visit this site.
The new Web site from People magazine is a one-stop site for breaking news, features, photos, pet fashion and silly animal videos. You won’t even have to go to You-Tube anymore for your funny animal fix because peoplepets.com gathers them all right here.
The news section provides breaking pet news like the passing of Rourke’s beloved Chihuahua; but, if you’re already a celebrity news aficionado, you probably won’t find anything here you don’t already know.
The pet features, however, are both interesting and unique. Where else are you going to find photo slideshows of “100 Years of Famous Dogs,” and “Top 10 Pet Moments of 2008.”
The pet fashions are one of the highlights of the Web site with its photos of pets modeling the practical (an absorbent towel), the interesting (a waterproof dog collar), and the fancy (a gold rhinestone trench coat). Details on the cost and where to find the items are helpful, and the price ranges cover every economic bracket from the affordable raincoat at Wal-Mart for $6.97 – $9.97 to the more expensive camo base coat at Paw Palace Online for $42.99.
Don’t forget this Web site is from People magazine. Those familiar with the magazine will enjoy “Today’s Walk of Fame,” which is like Star Tracks only all the celebrity spottings include their furry friends.
While the majority of the Web site is devoted to celebrities and pets, there’s also photos of real-life pets, behind-the-scenes footage of the Westminster Kennel Club Dog Show, and even videos of foxes jumping on a trampoline.
Written in a loose, informal tone, People Pets is also very user-friendly. You can post comments, enter a caption contest for funny pet pictures, and upload cute pictures of your own pet.
So even if you won’t ever be on the same Web site as Paris Hilton, who knows? Maybe your pooch will have its picture next to Hilton’s Tinkerbell.
Oscar night is fast approaching – this Sunday – to be exact. Will it be a victory for “Slumdog” or “Benjamin Button?” Which tough guy will win: Mickey or Sean? Which of our best actresses of today is it going to be: Kate or Meryl?
If you don’t have your scorecards filled out yet, here’s Positively Celebrity’s guide to help you out because we’re predicting who’s going to walk away a winner and who we think should really be one.
Best Picture
“The Curious Case of Benjamin Button”
“Frost/Nixon”
“Milk”
“The Reader”
“Slumdog Millionaire”
Should and will win: With its nearly unstoppable wins at the Golden Globes, SAG, BAFTA and guild awards, look for “Slumdog Millionaire” to take home the biggest prize come Oscar night and deservedly so. This vibrant, inspirational, romantic, and energetic film will leave you feeling like a millionaire long after you leave the theater.
Best Actor
Richard Jenkins, “The Visitor”
Frank Langella, “Frost/Nixon”
Sean Penn, “Milk”
Brad Pitt, “The Curious Case of Benjamin Button”
Mickey Rourke, “The Wrestler”
Should Win: Langella has already won a Tony Award for his portrayal of Richard Nixon, and he deserves an Oscar too. He pulls off the enormous task of encapsulating the former president’s mannerisms and voice without coming off as a caricature. Just as challenging, he also makes the audience feel empathy for a man who went down in history cast off as a crook.
Will Win: This is close. It very well could be Penn, but I’ll give the edge to Rourke. Academy members love a comeback story and both Rourke and his character are the comeback kids of the year. He also showed us he’s got what it takes physically and emotionally by playing an emotionally complex wrestler with a heart.
Best Actress
Anne Hathaway, “Rachel Getting Married”
Angelina Jolie, “Changeling”
Melissa Leo, “Frozen River”
Meryl Streep, “Doubt”
Kate Winslet, “The Reader”
Should and will win: Winslet for her intricate, dark turn as a tram conductor-turned-Nazi prison guard. She gave heart and emotion to a remorseless woman who was involved in Nazi war crimes and seduced a teenager. It doesn’t hurt either that she’s been racking up awards left and right this season, has five previous Oscar nominations, and stars in a film with the Academy-favorite topic of the Holocaust.
Best Supporting Actor
Josh Brolin, “Milk”
Robert Downey Jr., “Tropic Thunder”
Philip Seymour Hoffman, “Doubt”
Heath Ledger, “The Dark Knight”
Michael Shannon, “Revolutionary Road”
Should and will win: Ledger for his dynamic, groundbreaking, and humorously creepy performance as the Joker. He stole the show from Batman by keeping our eyes glued to him whenever his chaos-loving sociopath came on screen. Unlike Jack Nicholson’s previous mediocre Joker, Ledger, with his smeared clown make-up, truly made for one darkly twisted clown.
Best Supporting Actress
Amy Adams, “Doubt”
Penélope Cruz, “Vicky Cristina Barcelona”
Viola Davis, “Doubt”
Taraji P. Henson, “The Curious Case of Benjamin Button”
Marisa Tomei, “The Wrestler”
Should win: Even though she was only in two scenes, Davis managed to bring a whole movie’s worth of character backstory, emotions, and desires into those few precious moments on screen. Plus, she more than held her own against heavyweight Meryl Streep, which is alone no easy task.
Will win: Now with Winslet out of the running (the Academy chose to nominate her in the leading category instead), Cruz will most likely win for her domineering, vivacious turn as an emotionally unstable, eccentric ex-wife. She also won a BAFTA Award last week, which is a good sign she might win at the Oscars.
Best Director
Danny Boyle, “Slumdog Millionaire”
Stephen Daldry, “The Reader”
David Fincher, “The Curious Case of Benjamin Button”
Ron Howard, “Frost/Nixon”
Gus Van Sant, “Milk”
Should and will win: Boyle for delivering the beautifully crafted “Slumdog Millionaire.” He delivered intricate chase scenes, oversaw soaring camera shots over Mumbai, and brought out emotional performances from his young – and even younger, untrained – actors.
There’s a lot more to wrestlers than their crazy super hero names, shiny neon-colored tights and over-bulged muscles. Or at least there is to Randy the Ram Robinson, the emotionally complex “Wrestler.”
Randy’s a past-his-prime wrestler who hasn’t moved on. He visits the hair salon to maintain his shoulder length long blonde hair, basks in the fluorescent light of tanning beds to keep up his golden tan, and continues pulling on those neon green tights to keep going back in the ring. Just as the little plastic Randy the Ram action figure representing his glamorous alter ego doesn’t fit in with the old beat-up van that makes do as his home when he doesn’t make the payment on his trailer, Randy doesn’t fit into the real world.
The only world he knows and loves is wrestling. While the matches are all coordinated in advance down to each minute step, it doesn’t mean the fighting’s not real – or brutal making for a few very hard-to-watch scenes. One sequence in particular involving staples and barbed wire is not for the faint of heart. Then again it turns out to be too much for Randy too who has a heart attack that forces him to give up wrestling.
At this point the film becomes more interesting and complex because we’re brought more into Randy’s life. We see he lives alone in a messy, out-dated trailer where he plops into his bed with his clothes on and places his hearing aides on the nightstand. His only entertainment is playing wrestling video games staring his own alter ego on the old-school Nintendo system from the ‘90s with the neighbor kid.
The only people in his life he cares about are the luke-warm stripper he tries to befriend and his long-lost daughter. He’s come to know Cassidy (Marisa Tomei) from frequenting the strip club she works at, but she never quite warms up to him all the way. She distances herself not wanting to date a customer, but they’re brought together because Cassidy is past her prime too. She wants to move on to a better life with her young son but is stuck in the strip club being passed over for the much younger girls. “’90s suck!” they shout while dancing over the more familiar ‘80s music of their glory days.
One who has a harder time warming up is his daughter Stephanie (Evan Rachel Wood). They have the potential to make up and start new again – beautifully symbolized by them strolling through the old, torn-down buildings along the New Jersey shoreline they used to visit years ago. It’s a little hard to fully understand their relationship, however, because the film doesn’t go into their background. Why hasn’t he been around her so long? What did he do to hurt her so badly? In a poignant and sorrowful scene, he tells her he’s “a broken-down piece of meat” and doesn’t deserve her. But why?
Eventually, his self-destructive ways give in and he ends up hurting Cassidy and Stephanie once he starts connecting with them. Is that just the way he is – a narcissist who’s just absorbed in his own little world of wrestling? Or was he pushed there to his isolated world by the apathetic people around him that don’t reciprocate his feelings?
After all, we do see how he gets pushed to the breaking point from a series of rude customers at the deli he must work at to make ends meet after he had to quit wrestling. At first Randy doesn’t seem like he’s going to acclimate to his new deduced job. Depicted very cleverly, the camera tracks Randy from behind as he walks down the hall to the deli amid the familiar sounds of the roars and cheers of the wrestling crowd as he’s about to enter a match. Just as he would rip the curtain open to step into the match, he rips open the curtain into the deli – only now the rooting and cheering abruptly stops. This is Randy’s new life whether he likes it or not.
To much surprise, Randy does come to like it. He’s cutely content calling off the numbers of the customers waiting in queue, serving up their half pounds of potato salad and pieces of chicken breast, and making friendly, cheeky conversations with his customers. Yet, just as his wrestling days came to a halt, so did his deli days because of a couple of annoying, cluelessly rude customers who pushed him to his limits.
On the one hand, we want to tell Randy to grow up and to move on. Especially, in the sad scene where he gathers with some other washed up D-List celebrities in a local community building to sign autographs for a few sole fans, sell worthless memorabilia, to snap pictures with fans on junky Polaroid cameras.
But then again, Randy’s only happy wrestling and his life revolves around it. In fact, for much of the film’s opening the camera tracks Randy from behind as if his whole life is a lead-up into a match. And why shouldn’t it be? Life just rejects him, and he’s forced to just reject it right back. Even when people call him Robin, his real name, he adamantly rejects it by taking on the new name he gave himself for the wrestling world. It’s a constant tug of war between the real world rejecting him and him rejecting the real world. But, as he tells Cassidy, the only place he gets hurt is outside of the ring. So “The Wrestler” tells us that basically you’re on your own in this world so just do what makes you happy.
The Wrestler is a powerful drama dealing with several pressing issues in the life of aging pro wrestler Randy ‘The Ram’ Robinson. It is a part played brilliantly by Mickey Rourke. If Rourke manages to edge out Sean Penn for an Oscar, there’s sure to be plenty of talk along the lines of: “But he’s just playing himself.”
30 RoI can’t renounce that claim as one that’s untrue, but it diminishes the value of his performance. There is something within the subtleties of Rourke’s characterization that is downright touching and deeply moving.
This film immediately made me recollect “Million Dollar Baby.” They are both powerful dramas staged in the realm of sports. The difference here is that The Wrestler presents a unique behind-the-scenes-like look into the world of wrestling experienced firsthand by Randy ‘The Ram.’ We are struck by the savagery of the sport; if this is just acting, as we have been led to believe, then why do the actors go to such extremes to make it appear painful and real? “Million Dollar Baby,” on the other hand, presented its sport (women’s boxing) merely as a backdrop for the dilemmas its two protagonists were confronted with along the way.
Not in this case. Wrestling is much more than that here; it literally defines Mickey Rourke’s character. He is (as stated in the lyrics of Bruce Springsteen’s title song) a “one-trick pony” through and through. He wrestles initially for glory; twenty years later he wrestles simply because it is who he is. He’s been reduced to eking out an existence between the ropes in his own words as a “broken down piece of meat.”
But that living has come to define him now; and if you were confronted with the prospect of dying alone, no loved ones by your side, as ‘The Ram’ is, can you really fault him for wanting it to happen between the ropes?
Sunday night’s 15th annual Screen Actors Guild Award ceremony was almost a carbon copy of the Golden Globes two weeks ago with “Slumdog Millionaire,” “30 Rock,” Kate Winslet and “John Adams” winning big.
Since the SAG Awards only honors actors it doesn’t award a Best Picture, but “Slumdog Millionaire” took home the biggest award of the night: Cast in a Motion Picture. The cast of unknown Indian actors was shocked and grateful. Anil Kapoor accepted the award saying it was enough to be nominated and the win was “unbelievable,”and Freida Pinto took a moment to personally acknowledge all the children who played the actors’ younger counterparts.
“30 Rock” swept the show once again with the cast winning Ensemble in a Comedy series and stars Tina Fey and Alec Baldwin winning Female and Male Actor in a Comedy Series.
Fey threw in a jab at the ongoing contract negotiations between SAG and the Alliance of Motion Picture and Television Producers when she thanked her young daughter, Alice. “Someday, she’ll be old enough to watch 30 Rock reruns on the Internet and understand where mommy was going at 6 a.m. every day for all that time. And she’ll look up at me and say, ‘What do you mean, you don’t get residuals for this?’ I love you, Alice. Take care of me when I’m old and broke!”
“Mad Men” also scored big yet again winning Ensemble in a Drama Series, and star Jon Hamm thanked their “dozens of viewers.”
Surprise winners Hugh Laurie from “House” and Sally Field from “Brothers and Sisters” won Male and Female Actor in a Drama Series. They were even shocked themselves: “I had $100 on James Spader – this is just not my night,” Laurie deadpanned, and Field admitted, “Oh dear, I thought it would be a cable girl.”
“Doubt’s” Meryl Streep who won Female Actor in a Leading Role was so shocked she won she didn’t even buy a dress as she showed all of us when she stepped around the podium to show off her simple black pants. Yet, after Winslet’s astonishing double-win at the Globes, we were all kind of surprised too.
Alas, Winslet didn’t go home empty-handed. She won Female Actor in a Supporting Role for “The Reader” and gave a much more subdued speech this time around.
Sean Penn beat out Mickey Rourke for Male Actor in a Leading Role for “Milk” and gave a much more dynamic speech talking about the statue’s “rather healthy package,” saying he “wept” at his fellow nominee’s performances, dissing the voters for not acknowledging actors like Benicio Del Toro, and reprimanding the media for making the award competition a “dog fight.”
Not all competitions have been a dog fight, however. Heath Ledger once again won a posthumous award for Male Actor in a Supporting Role for “The Dark Knight” with costar Gary Oldman accepting on his behalf and “John Adams” stars Paul Giamatti and Laura Linney won acting awards in the Television Movie or Miniseries category again.
Besides honoring the year’s best actors, the Guild also honored James Earl Jones by giving him the Lifetime Achievement Award. While these awards can often be the boring part of ceremonies, we learned some interesting things about Jones such as that he had a stutter as a child and subsequently barely spoke for twelve years.
Who would have guessed that about the man who breathed “Luke, I am your father” ?
The nominees for this year’s 81st annual Academy Awards were announced Thursday with not too many surprises. The top two films slugging it out are “The Curious Case of Benjamin Button,” which leads the pack with 13 nominations, and “Slumdog Millionaire,” which won Best Picture at the Golden Globes and has 10 nominations.
What about the snubs? “The Dark Knight” didn’t get a Best Picture nomination, Clint Eastwood and his film, “Gran Torino,” got shut out, “Revolutionary Road” got no noms including its stars Kate Winslet and Leonardo DiCaprio, Bruce Springsteen’s song from “The Wrestler” didn’t get nominated even after it won the Golden Globe, and Sally Hawkins didn’t get a Best Actress nom fresh off her Best Actress Golden Globe win.
But the biggest surprise? Who would have ever thought Robert Downey, Jr. would get a nomination for his role as “a dude playing a dude, disguised as another dude”?
Find out who wins on Feb. 22 at 8 pm EST on ABC, and in the meantime the nominees are:
Best Picture
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
Slumdog Millionaire
Best Director
David Fincher, The Curious Case of Benjamin Button
Ron Howard, Frost/Nixon
Gus Van Sant, Milk
Stephen Daldry, The Reader
Danny Boyle, Slumdog Millionare
Best Actor
Richard Jenkins, The Visitor
Frank Langella, Frost/Nixon
Sean Penn, Milk
Brad Pitt, The Curious Case of Benjamin Button
Mickey Rourke, The Wrestler
Best Actress
Anne Hathaway, Rachel Getting Married
Angelina Jolie, Changeling
Melissa Leo, Frozen River
Kate Winslet, The Reader
Meryl Streep, Doubt
Best Supporting Actor
Josh Brolin, Milk
Robert Downey Jr., Tropic Thunder
Philip Seymour Hoffman, Doubt
Heath Ledger, The Dark Knight
Michael Shannon, Revolutionary Road
Best Supporting Actress
Amy Adams, Doubt
Penélope Cruz, Vicky Christina Barcelona
Viola Davis, Doubt
Taraji P. Henson, The Curious Case of Benjamin
Marisa Tomei, The Wrestler
Best Animated Feature
Bolt
Kung Fu Panda
Wall-E
Best Original Screenplay
Dustin Lance Black, Milk
Courtney Hunt, Frozen River
Mike Leigh, Happy-Go-Lucky
Martin McDonagh, In Bruges
Andrew Stanton and Jim Reardon, Wall-E
Best Adapted Screenplay
Eric Roth and Robin Swicord, The Curious Case of Benjamin
John Patrick Shanley, Doubt
Peter Morgan, Frost/Nixon
David Hare, The Reader
Simon Beaufoy, Slumdog Millionaire
It was a big year for the Brits at Sunday’s Golden Globes with “Slumdog Millionaire,” Kate Winslet and Sally Hawkins taking home major awards.
“Slumdog,” a low-budget film about an Indian teenager looking for love and competing on “Who Wants to be a Millionaire,” took home the prizes for Best Motion Picture- Drama, Best Director for Danny Boyle, Best Screenplay for Simon Beaufoy and Best Original Score for A.R. Rahman.
With all the film’s honors and Winslet’s double-win, one might also say it’s the year of the underdog. Winslet, widely proclaimed to be the best actress of our generation, was 0-10 at the Golden Globes and the Oscars until last night.
The extremely shocked and humble star won Best Supporting Actress for “The Reader” and Best Actress for “Revolutionary Road.” She relished the moment saying, “Wrap up? You have no idea how much I’m not wrapping up” but sweetly stumbled through her speech by repeatedly telling herself to “gather” and even forgetting Angelina Jolie when acknowledging her fellow nominees.
“Happy-Go-Lucky’s” Hawkins was another speechless Brit. Fellow Best Supporting Actress nominee, Emma Thompson, who was still seated in the audience had to gently sooth and coach Hawkins to compose herself and go on.
Best Actor Mickey Rourke from “The Wrestler” had no trouble with his speech and, on the contrary, gave the audience quite an entertaining one thanking his dogs and saying “balls” twice. Plus, he got flipped off (lovingly, of course) from his director after calling him “a tough son of a bitch.”
Other noteworthy speeches from winners included the “30 Rock” cast who won Best TV Series – Comedy, Best Actor for Alec Baldwin and Best Actress for Tina Fey. Fey proceeded to tell all the web-dissers out there to “suck it,” and Tracy Morgan informed us that “Tina Fey and I had an agreement that if Barack Obama won, I would speak for the show from now on. Welcome to post-racial America!”
You didn’t have to be a winner to score laughs either. Presenter Ricky Gervais swaggered out on the stage with a beer in his hand complaining about how the Hollywood Foreign Press didn’t nominate his comedy, “Ghost Town.”
“That is the last time I have sex with 200 middle-aged journalists,” he said.
Not everyone laughed, however, at presenter Sacha Baron Cohen when he said Hollywood is also suffering from the financial crisis and Madonna had to “get rid of one of her personal assistants. Our thoughts go out to you, Guy Ritchie.” In fact, he was met with dirty looks from Sandra Bullock and Salma Hayek.
Perhaps Hollywood’s not a big fan of Borat…
Speaking of offensive, Colin Farrell who usually goes hand-in-hand with the network censors was surprisingly well-mannered not even cursing once. Although some would say his Best Actor win for “In Bruges” was surprise enough beating out Javier Bardem and Dustin Hoffman.
Gabriel Byrne’s Best Actor in a TV-Drama win and Anna Paquin’s Best Actress-Drama win also threw off Globe handicappers who were expecting more likely wins from “Mad Men’s” Jon Hamm and January Jones.
“Mad Men’s” win for Best TV Series- Drama, however, was easily predicted along with “John Adam’s” sweep and Heath Ledger’s win for Best Supporting Actor for “The Dark Knight.”
Director Christopher Nolan toasted Ledger’s legacy he built for himself in cinema’s history and also acknowledged “the hole ripped in the future of cinema” as a result of his premature death.
Despite the huge, surprising shut-out of “The Curious Case of Benjamin Button,” at least the Globes gave “Slumdog Millionaire” its rightful place in the history of cinema.
“Slumdog Millionaire” vs. “The Curious Case of Benjamin Button?” Brad Pitt vs. Mickey Rourke? “Mad Men” vs. “True Blood?”
Who will win?
We’ll find out when the 66th annual Golden Globes air Sunday on NBC at 8/7 c, but in the meantime here’s Positively Celebrity’s picks for who will be seeing gold.
Best Motion Picture – Drama
* The Curious Case of Benjamin Button
Frost/Nixon
The Reader
Revolutionary Road
Slumdog Millionaire
While “Slumdog Millionaire” is equally if not more deserving, “The Curious Case of Benjamin Button” is the most popular and beloved movie right now.
Best Actor in a Drama
Leonardo DiCaprio, Revolutionary Road
Frank Langella, Frost/Nixon
Sean Penn, Milk
* Brad Pitt, The Curious Case of Benjamin Button
Mickey Rourke, The Wrestler
Rourke will most likely win at the Oscars, but Pitt will win at the Globes because he is more popular and mainstream.
Best Actress in a Drama
* Anne Hathaway, Rachel Getting Married
Angelina Jolie, Changeling
Meryl Streep, Doubt
Kristin Scott-Thomas, I’ve Loved You So Long
Kate Winslet, Revolutionary Road
Fresh off her Critics Choice Award Thursday night, Hathaway will go on to win the Golden Globe as well.
Best Motion Picture – Musical or Comedy
Burn After Reading
Happy-Go-Lucky
In Bruges
Mamma Mia!
* Vicky Cristina Barcelona
This one goes to the beloved Woody Allen’s film. The Coens (fresh off last year’s “No Country for Old Men” accolades) won’t win again for “Burn After Reading,” not enough people saw “Happy-Go-Lucky” or “In Bruges,” and many didn’t take “Mamma Mia!” too seriously.
Best Actor in a Musical or Comedy
Javier Bardem, Vicky Cristina Barcelona
Colin Farrell, In Bruges
James Franco, Pineapple Express
Brendan Gleeson, In Bruges
* Dustin Hoffman, Last Chance Harvey
If Bardem didn’t just win last year for “No Country for Old Men,” I’d say he’d win, so this year it could be a toss-up between Farrell and Hoffman. Given Hoffman’s popularity and long, great career, I’ll predict him.
Best Actress in a Musical or Comedy
Rebecca Hall, Vicky Cristina Barcelona
* Sally Hawkins, Happy-Go-Lucky
Frances McDormand, Burn After Reading
Meryl Streep, Mamma Mia!
Emma Thompson, Last Chance Harvey
Hawkins is the critical favorite who has the best chance of all these ladies to be nominated for an Oscar. Yet, look out for Streep, whose popularity and work in “Doubt” could help score her a win.
Best TV Series- Drama
Dexter
House
In Treatment
* Mad Men
True Blood
“Mad Men” did win last year, but its second season was even better than its first. Plus, the show didn’t have much of a chance to celebrate last year because a boring press conference took the place of an actual show due to the writer’s strike.
Best TV Series- Comedy
* 30 Rock
Californication
Entourage
The Office
Weeds
“30 Rock” is the best comedy on TV right now, and it is yet to win a Golden Globe for best comedy.
Best Actor in a TV Drama
Gabriel Byrne, In Treatment
Michael C. Hall, Dexter
* Jon Hamm, Mad Men
Hugh Laurie, House
Jonathan Rhys Meyers, The Tudors
This could be a toss-up between Hamm and Hall, but I’ll give the edge to Hamm due to “Mad Men’s” enormous popularity.
Best Actress in a TV Drama
Sally Field, Brothers and Sisters
Mariska Hargitay, Law & Order: SVU
* January Jones, Mad Men
Anna Paquin, True Blood
Kyra Sedgwick, The Closer
Field, Hargitay, and Sedgwick are starting to become clichés in this category, and Paquin’s “True Blood” isn’t well-known. Plus, Jones really had a chance to flex her acting muscles on this season of “Mad Men.”
Best Actor in a TV Musical or Comedy
* Alec Baldwin, 30 Rock
Steve Carell, The Office
Kevin Connolly, Entourage
David Duchovny, Californication
Tony Shaloub, Monk
Baldwin won two years ago in this category, but, again, no comedy is better than “30 Rock” right now. Plus, Baldwin’s great lines and even greater delivery of them really makes the show.
Best Actress in a TV Musical or Comedy
* Christina Applegate, Samantha Who?
America Ferrera, Ugly Betty
Tina Fey, 30 Rock
Debra Messing, The Starter Wife
Mary-Louise Parker, Weeds
Fey has been on a complete winning streak this last year with all her accolades and praise. Either she could continue her streak or there could be a backlash. I’ll go with the latter and give the edge to Applegate for her fresh, funny performance. Plus, she’s yet to win an Emmy or a Golden Globe for “Samantha Who?” and it’s about time.
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